Spotlight On: Paul Henegan

Paul Henegan describes himself as a man in his shed, “who tinkers with bits and pieces to see what they reveal for the mild amusement of myself and others”. From his own definition, it is clear that Paul is fascinated with construction. His work in the recent studio artists exhibition focused on using found objects such as wooden blocks, curtain hooks and pegs to create small figurines. These characters are all unique, combining a child like sense of play with his artistic practice.

From training at Bradford and Liverpool colleges of art, Paul values being taught to see and draw. By observing the world around him, he employs inspiration from his environment to create original work. He draws his creativity from verisimilitude and humour, constantly questioning reality through a comedic lens. His influences include abstract artists such as Kurt Schwitters, many of whom (like Paul) vary the materials they work with.

Nowadays, Paul notes that he tends to find things out for himself, trusting his artistic intuition in order to create work which remains subjective to the viewer. When asked about the defining message of his work, he suggests its “something vaguely philosophical” and that what others think about his work is just as important than his own definition.

A major part of Paul’s art work is working with his hands, an element which was not forgotten in the studio artist’s show. A section of the show featured a table full of materials in which the public could pull up a chair and make something. This collaboration with others demonstrates how Paul encourages external influence on his work, he holds no control over the outcome of this but instead welcomes the unpredictability of their input.

Paul explains that his future projects includes re-establishing teaching printmaking workshops again, as well as getting back to basics with more drawing from life. Additionally when asked where he was aiming to be in the future, Paul remarks “in heaven”, demonstrating once again his humorous approach to the organic process of life and art.

Words by Megan Davies.